About the Book:A career-spanning collection of critical essays and cultural journalism from one of the most acute, entertaining, and sometimes acerbic (but in a good way) critics of our time
From his early-seventies dispatches as a fledgling critic for The Village Voice on rock ’n’ roll, comedy, movies, and television to the literary criticism of the eighties and nineties that made him both feared and famous to his must-read reports on the cultural weather for Vanity Fair, James Wolcott has had a career as a freelance critic and a literary intellectual nearly unique in our time. This collection features the best of Wolcott in whatever guise—connoisseur, intrepid reporter, memoirist, and necessary naysayer—he has chosen to take on.
Included in this collection is “O.K. Corral Revisited,” a fresh take on the famed Norman Mailer–Gore Vidal dustup on The Dick Cavett Show that launched Wolcott from his Maryland college to New York City (via bus) to begin his brilliant career. His prescient review of Patti Smith’s legendary first gig at CBGB leads off a suite of eyewitness and insider accounts of the rise of punk rock, while another set of pieces considers the vast cultural influence of the enigmatic Johnny Carson and the scramble of his late-night successors to inherit the “swivel throne.” There are warm tributes to such diverse figures as Michael Mann, Sam Peckinpah, Lester Bangs, and Philip Larkin and masterly summings-up of the departed giants of American literature—John Updike, William Styron, John Cheever, and Mailer and Vidal. Included as well are some legendary takedowns that have entered into the literary lore of our time.
Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.
"Epically rewarding... Mr. Wolcott is among the last of the great, garrulous, generalist critics, equally at home writing about TV, movies, literature, music, comedy clubs, you name it... Critical Mass scoops up the best of his material from Vanity Fair, for which he has written since 1983, as well as pieces from outlets that range from The Village Voice, where he got his start in the 1970s, to The New Yorker, Texas Monthly and The London Review of Books, among others. It’s a vacuum-packed anthology of tight arguments and shrewd observations... Few writers can nail a performance, or an artist’s body of work, with more ecstatic economy."
—The New York Times
"Mr. Wolcott’s cultural criticism is ecstatic and alive, and this big box of his best stuff is absurdly entertaining — a rolling series of intellectual lightning strikes. Pound for pound, sentence for sentence, for a certain kind of reader, this is the book of the year."
- Dwight Garner's 10 Favorite Books of 2013, The New York Times
“For the past forty years critic James Wolcott has been a cerebral antidote to the dullness contaminating our cultural pages… There’s also tremendous value in [his] sharp-eyed seeing…in doing what critics have been doing from Aristotle to Walter Pater to Mary McCarthy to John Updike: enhancing, augmenting art and culture by helping to explain the complexity and dynamism in their DNA. Some of Wolcott’s analysis forever tweaks how you see, hear, and read.”
—The Daily Beast
"Forthright and fair-minded, but ferocious in disdain, with the sly, smart voice of someone in the know but never caught up in the moment, this collection...preserves an unforgettable of 'that New York speciality—the well-informed wise guy.'"
"An eclectic collection that reasserts the author's reputation as one of America's most perceptive, candid and human critics."
"Wolcott is a wickedly cunning, agile writer with a special talent for quick-sketch characterizations... Critical Mass is the perfect bedside-table book because its short entries promise pleasure from even the briefest dips into its pages."
Table of Contents
I . Talking Furniture
O.K. Corral Revisited
Liv and Let Die: Scenes from a Marriage
Hartman Is the Best Thing About Lear
Stanley Siegel: Jack Paar in the Age of est
The Vindication of Vanessa Redgrave: Playing for Time
The Crane-Shot That Captured Christmas: SCTV
Potter’s Reel: The Singing Detective
Designing Couple: Designing Women
“X” Factor: The X- Files
Prime Time’s Graduation
Who’s Laughing Now?: Is Stand-Up Comedy Dead on Its Feet?
What Keeps Johnny on Top? Insincerity!
Johnny, We Hardly Knew Ye
The Swivel Throne
Great Carson’s Ghost!
Jerry Lewis: Last Tuxedo Standing
Christopher Guest: Mystery Guest
Mort Sahl: Mort the Knife
III. Punk , Pop, Rock
Patti x Two
Patti Smith: Mustang Rising
Tarantula Meets Mustang: Dylan Calls On Patti Smith
The Ramones: Chord Killers
A Conservative Impulse in the New Rock Underground
Lou Reed Rising
John Cale Refuses to Die
Richard Hell Comes in Spurts
Johnny Rotten x Two
Kiss Me, You Fool: Sex Pistols 77
Rotten and Vicious: Rotten, John Lydon
The Noise Boys: Lester Bangs and Richard Meltzer
The Bollocks: Please Kill Me, Legs McNeil and Gillian McCain
The Lives of Albert Goldman
When They Were Kings: The Rat Pack
French Fries and Sympathy: Diner
Your Flick of Flicks: My Favorite Year
Brian De Palma x Three
The Godfather Goes Slumming: Scarface
Double Trouble: Body Double
De Palma and the Women
Of Vice and Mann
Sam Peckinpah: Slay ’em Again, Sam
A Fistful of Woodys
The Great White Woody: Broadway Danny Rose
Liquid Shimmer: Purple Rose of Cairo
Upper West Side Story: Hannah and Her Sisters
How Green Was My Woody
Death and the Master: Alfred Hitchcock
New York Noir
Rock Hudson and Doris Day: Lovers Come Back
From Fear to Eternity: The Americanization of Emily
An Unforgettable Face: A Face in the Crowd
V. Books , Authors , Critics
Knowledge Is Good?: The Intellectual Killer Elite
On the Ropes: Selected Letters, Ernest Hemingway
Stop Me Before I Write Again: A Bloodsmoor Romance, Joyce Carol Oates
Richard Ford: Guns and Poses
Manny Farber’s Termite Art
The Stand- Up Critic: Mudrick Transcribed: Classes and Talks by Marvin
Seymour Krim: Foreword to What’s This Cat’s Story?
R.I.P.: Edie: An American Biography, Jean Stein
Life Among the Ninnies: The Diary of Anaïs Nin, Volume Seven (1966–1974)
Philip Larkin’s Enormous Yes
Amis Père et Fils
The Old Devil: Difficulties with Girls, Kingsley Amis
The Amis Papers
The Yob That Failed: Lionel Asbo: State of England, Martin Amis
Updike x Three
Running on Empty: Rabbit Is Rich
Caretaker/Pallbearer: The Widows of Eastwick
The Prince of Finesse: Hugging the Shore
It’s Still Cheever Country: Cheever: A Life, Blake Bailey
Ayn Rand: Rand Inquisitor
Kerouac’s Lonesome Road
Remaking It: New York Days, Willie Morris; Kafka Was the Rage, Anatole Broyard
The Truman Show: Truman Capote, George Plimpton
William Shawn: The Love Bug
Norman Mailer: The Norman Conquests
Bow. Wow.: Gore Vidal, Fred Kaplan
I Adore Your Mustache: Selected Letters of William Styron