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The Handmaid's Tale

By Margaret Atwood

About This Book
“Read it while it’s still allowed,” warns the Houston Chronicle in a review of The Handmaid’s Tale, Margaret Atwood’s #1 New York Times bestseller and seminal work of speculative fiction. Since its publication in 1986, this alternately funny and horrifying novel has haunted readers with a vision of the future that feels far too close for comfort.

Set in Cambridge, Massachusetts, The Handmaid’s Tale presents a totalitarian theocracy that has forced a certain class of fertile women to produce babies for elite barren couples. These "handmaids," who are denied all rights and are severely beaten if they are uncooperative, are reduced to state property. Through the voice of Offred, a handmaid who mingles memories of her life before the revolution with her rebellious activities under the new regime, Atwood imagines a terrifying future based on precedents drawn from history.

Now a modern classic, The Handmaid’s Tale sits along with 1984 and Brave New World on shelves of concerned and curious readers around the world.
Question & Answer

1. Atwood says that her novel’s title was meant to evoke both Chaucer’s Canterbury Tales and folktales or fairy tales. Why might she have wanted readers to make those connections?

2. The novel’s first epigraph, from Genesis, reveals the Biblical precedent that Gilead’s founders use to justify exploiting Handmaids. Given their apparent allegiance to the Bible, why do Gilead’s rulers keep it under lock and key?

3. The novel’s second epigraph is from Jonathan Swift’s famously satirical “Modest Proposal,” in which he suggests solving the Irish famine by having the starving peasants sell their children as food for the rich. Beyond signaling her satiric intent, do you think Atwood meant to suggest any deeper connections between Swift’s vision and hers? Does humor have any role in her satire?

4. The third epigraph is a Sufi proverb: “In the desert there is no sign that says, Thou shalt not eat stones.” What do you think this means in the context of this story?

5. Offred’s name vividly represents the erasure of her former identity and of her independent selfhood. Readers have found other evocative echoes in it: “offered,” “afraid,” “off-read.” Do these associations deepen your sense of her character?

6. Why do you think the Aunts participate so enthusiastically in the oppression of their fellow women? Are their motives different from those of the Commanders’ Wives?

7. Serena Joy was instrumental in bringing about the new social order, which now severely limits her role. Does she seem to feel that the trade-offs she has made were worth it?

8. In her introduction, Atwood argues that her novel is not “anti-religion,” but only “against the use of religion as a front for tyranny.” Is her argument persuasive to you? Is it as relevant now as when she wrote the novel?

9. Atwood was concerned that readers might find Gilead’s horrors implausible, so she only included events that had actually occurred at some point in history. She lists examples in her introduction; can you think of more? Does knowing this make it seem more likely that something like Gilead could happen here?

10. Do you think the growing popularity of dystopian novels in recent years reflects increased pessimism about the future? Atwood has denied that The Handmaid’s Tale was meant as a prediction, explaining her intention as “anti-prediction,” meaning that “if this future can be described in detail, perhaps it won’t happen.” Do you think that might be (as she also suggests) wishful thinking?

About This Author
Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College. The daughter of a forest entomologist, Atwood spent a large part of her childhood in the Canadian wilderness. At the age of six she began to write "poems, morality plays, comic books, and an unfinished novel about an ant." At sixteen she found that writing was "suddenly the only thing I wanted to do." Throughout her career, Margaret Atwood has received numerous awards and several honorary degrees including the Canadian Governor General's Award, Le Chevalier dans l'Ordre des Arts et des Lettres in France, and the National Arts Club Medal of Honor for Literature. She is the author of more than thirty volumes of poetry, nonfiction, and fiction, including children's books, and short stories. Her most recent works include The Handmaid's Tale (1986), Cat's Eye (1989), and Alias Grace (1996), the story collection Good Bones and Simple Murders (1994), and a volume of poetry, Morning in the Burned House (1995). Ms. Atwood's work has been published in more than twenty-five countries. She has traveled extensively and has lived in Boston, Vancouver, Montreal, London, Provence, Berlin, Edinburgh, and Toronto.