
Summer, 1968. Martin Luther King and Robert Kennedy are dead. The assassination conspiracies have begun to unravel. A dirty-tricks squad is getting ready to deploy at the Democratic Convention in Chicago. Black militants are warring in southside L.A. The Feds are concocting draconian countermeasures. And fate has placed three men at the vortex of History.
Dwight Holly is J. Edgar Hoover’s pet strong-arm goon, implementing Hoover’s racist designs and obsessed with a leftist shadow figure named Joan Rosen Klein. Wayne Tedrow—ex-cop and heroin runner—is building a mob gambling mecca in the Dominican Republic and quickly becoming radicalized. Don Crutchfield is a window-peeping kid private-eye within tantalizing reach of right-wing assassins, left-wing revolutionaries and the powermongers of an incendiary era. Their lives collide in pursuit of the Red Goddess Joan—and each of them will pay “a dear and savage price to live History.”
Political noir as only James Ellroy can write it—our recent past razed and fully reconstructed—Blood’s A Rover is a novel of astonishing depth and scope, a massive tale of corruption and retribution, of ideals at war and the extremity of love. It is the largest and greatest work of fiction from an American master.
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Q: It’s been 8 years since The Cold Six Thousand. How excited are you that Blood’s A Rover is finally being published?
A: Yes, it’s been eight years since my novel, The Cold Six Thousand. I was that long between books for a variety of reasons, all of which are determining factors in the Beethovian greatness of Blood’s A Rover. One, my marriage had to go in the shitter–as I rigorously held on to the friendship of my beloved ex-wife and most astute critic, Helen Knode. Helen convinced me to write a more emotionally and stylistically accessible novel–one that plumbed the murky recesses of my tortured, tender and perverted heart!!! Two, I had to become deeply embroiled with the transcendent woman, Joan, who re-taught me American history from the ground up. Three, I made a conscious decision to write an entirely different kind of novel–one that explored spiritual and political conversion on an all-new level, while, of course, adhering to readily identifiable and identifiably groovy Ellroy shit!!! This IS my greatest novel–and I owe it all to Helen, the Red Goddess Joan, and a woman named Cathy, with a daughter named Theodora, who was the basis for Karen Sifakis and her daughter, Eleanora. Life is full of groovy, twisted, curveball shit, and Blood’s A Rover explodes, both with autobiography and my knowledge of history, linked to a deep personal resolve.
James Ellroy on love and blood
Novelist James Ellroy explains how he chose his latest book’s title—Blood’s A Rover—and the influence of his personal narrative on his characters. Watch the full interview.
Video Interview at Zocalo Square in Los Angeles, CA — Moderated by Erika Schickel, author and essayist

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