It’s not too late to find some great Hanukkah gifts for your friends and family. From MetaMaus, an intimate look inside a modern classic, to a dramatic and revelatory biography of Israel’s founding father and first prime minister penned by Israel’s current president, we’ve got eight great books that we think you’re gonna love!
In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.
He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process.
MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman’s private notebooks and sketches.
Compelling and intimate, MetaMaus is poised to become a classic in its own right.
Israel’s current president gives us a dramatic and revelatory biography of Israel’s founding father and first prime minister.
Shimon Peres was in his early twenties when he first met David Ben-Gurion. Although the state that Ben-Gurion would lead through war and peace had not yet declared its precarious independence, the “Old Man,” as he was called even then, was already a mythic figure. Peres, who came of age in the cabinets of Ben-Gurion, is uniquely placed to evoke this figure of stirring contradictions—a prophetic visionary and a canny pragmatist who early grasped the necessity of compromise for national survival. Ben-Gurion supported the 1947 United Nations Partition Plan for Palestine, though it meant surrendering a two-thousand-year-old dream of Jewish settlement in the entire land of Israel. He granted the Orthodox their first exemptions from military service despite his own deep secular commitments, and he reached out to Germany in the aftermath of the Holocaust, knowing that Israel would need as many strong alliances as possible within the European community.
A protégé of Ben-Gurion and himself a legendary figure on the international political stage, Shimon Peres brings to his account of Ben-Gurion’s life and towering achievements the profound insight of a statesman who shares Ben-Gurion’s dream of a modern, democratic Jewish nation-state that lives in peace and security alongside its Arab neighbors. In Ben-Gurion, Peres sees a neglected model of leadership that Israel and the world desperately need in the twenty-first century.
From the author of the acclaimed novel A Pigeon and a Boy comes a charming tale of family ties, over-the-top housekeeping, and the sport of storytelling in Nahalal, the village of Meir Shalev’s birth. Here we meet Shalev’s amazing Grandma Tonia, who arrived in Palestine by boat from Russia in 1923 and lived in a constant state of battle with what she viewed as the family’s biggest enemy in their new land: dirt.
Grandma Tonia was never seen without a cleaning rag over her shoulder. She received visitors outdoors. She allowed only the most privileged guests to enter her spotless house. Hilarious and touching, Grandma Tonia and her regulations come richly to life in a narrative that circles around the arrival into the family’s dusty agricultural midst of the big, shiny American sweeper sent as a gift by Great-uncle Yeshayahu (he who had shockingly emigrated to the sinful capitalist heaven of Los Angeles!). America, to little Meir and to his forebears, was a land of hedonism and enchanting progress; of tempting luxuries, dangerous music, and degenerate gum-chewing; and of women with painted fingernails. The sweeper, a stealth weapon from Grandpa Aharon’s American brother meant to beguile the hardworking socialist household with a bit of American ease, was symbolic of the conflicts and visions of the family in every respect.
The fate of Tonia’s “svieeperrr”—hidden away for decades in a spotless closed-off bathroom after its initial use—is a family mystery that Shalev determines to solve. The result, in this cheerful translation by Evan Fallenberg, is pure delight, as Shalev brings to life the obsessive but loving Tonia, the pioneers who gave his childhood its spirit of wonder, and the grit and humor of people building ever-new lives.
One May day in 1896, at a dining-room table in Cambridge, England, a meeting took place between a Romanian-born maverick Jewish intellectual and twin learned Presbyterian Scotswomen, who had assembled to inspect several pieces of rag paper and parchment. It was the unlikely start to what would prove a remarkable, continent-hopping, century-crossing saga, and one that in many ways has revolutionized our sense of what it means to lead a Jewish life.
In Sacred Trash, MacArthur-winning poet and translator Peter Cole and acclaimed essayist Adina Hoffman tell the story of the retrieval from an Egyptian geniza, or repository for worn-out texts, of the most vital cache of Jewish manuscripts ever discovered. This tale of buried scholarly treasure weaves together unforgettable portraits of Solomon Schechter and the other heroes of this drama with explorations of the medieval documents themselves—letters and poems, wills and marriage contracts, Bibles, money orders, fiery dissenting tracts, fashion-conscious trousseaux lists, prescriptions, petitions, and mysterious magical charms. Presenting a panoramic view of nine hundred years of vibrant Mediterranean Judaism, Hoffman and Cole bring modern readers into the heart of this little-known trove, whose contents have rightly been dubbed “the Living Sea Scrolls.” Part biography and part meditation on the supreme value the Jewish people has long placed on the written word, Sacred Trash is above all a gripping tale of adventure and redemption.
From the award-winning, internationally acclaimed writer (“One of the best novelists alive” —Irving Howe): a Jewish woman marries a gentile laborer in turn-of-the-century Austria, with disastrous results.
A high school honor student bound for university and a career as a mathematician, Blanca lives with her parents in a small town in Austria in the early years of the twentieth century. At school one day she meets Adolf, who comes from a family of peasant laborers. Tall and sturdy, plainspoken and uncomplicated, Adolf is unlike anyone Blanca has ever met. And Adolf is awestruck by beautiful, brilliant Blanca–even though she is Jewish. When Blanca is asked by school administrators to tutor Adolf, the inevitable happens: they fall in love. And when Adolf asks her to marry him, Blanca abandons her plans to attend university, converts to Christianity, and leaves her family, her friends, and her old life behind.
Almost immediately, things begin to go horribly wrong. Told in a series of flashbacks as Blanca and her son flee from their town with the police in hot pursuit, the tragic story of Blanca’s life with Adolf recalls a time and place that are no more but that powerfully reverberate in collective memory.
Vienna and its Secessionist movement at the turn of the last century is the focus of this extraordinary social portrait told through an eminent Viennese family, headed by Hermine and Moriz Gallia, who were among the great patrons of early-twentieth-century Viennese culture at its peak.
Good Living Street takes us from the Gallias’ middle-class prosperity in the provinces of central Europe to their arrival in Vienna, following the provision of Emperor Franz Joseph in 1848 that gave Jews freedom of movement and residence, legalized their religious services, opened public service and professions up to them, and allowed them to marry.
The Gallias, like so many hundreds of thousands of others, came from across the Hapsburg Empire to Vienna, and for the next two decades the city that became theirs was Europe’s center of art, music, and ideas.
The Gallias lived beyond the Ringstrasse in Vienna’s Fourth District on the Wohllebengasse (translation: Good Living Street), named after Vienna’s first nineteenth-century mayor.
In this extraordinary book we see the amassing of the Gallias’ rarefied collections of art and design; their cosmopolitan society; we see their religious life and their efforts to circumvent the city’s rampant anti-Semitism by the family’s conversion to Catholicism along with other prominent intellectual Jews, among them Gustav Mahler. While conversion did not free Jews from anti-Semitism, it allowed them to secure positions otherwise barred to them.
Two decades later, as Kristallnacht raged and Vienna burned, the Gallias were having movers pack up the contents of their extraordinary apartment designed by Josef Hoffmann. The family successfully fled to Australia, bringing with them the best private collection of art and design to escape Nazi Austria; included were paintings, furniture, three sets of silver cutlery, chandeliers, letters, diaries, books and bookcases, furs—chinchilla, sable, sealskin—and even two pianos, one upright and one Steinway.
Not since the publication of Carl Schorske’s acclaimed portrait of Viennese modernism, Fin-de-Siècle Vienna, has a book so brilliantly—and completely—given us this kind of close-up look at turn-of-the-last-century Viennese culture, art, and daily life—when the Hapsburg Empire was fading and modernism and a new order were coming to the fore.
Good Living Street re-creates its world, atmosphere, people, energy, and spirit, and brings it all to vivid life.
The capture of SS Lieutenant Colonel Adolf Eichmann by Israeli agents in Argentina in May of 1960 and his subsequent trial in Jerusalem by an Israeli court electrified the world. The public debate it sparked on where, how, and by whom Nazi war criminals should be brought to justice, and the international media coverage of the trial itself, was a watershed moment in how the civilized world in general and Holocaust survivors in particular found the means to deal with the legacy of genocide on a scale that had never been seen before.
Award-winning historian Deborah E. Lipstadt gives us an overview of the trial and analyzes the dramatic effect that the survivors’ courtroom testimony—which was itself not without controversy—had on a world that had until then regularly commemorated the Holocaust but never fully understood what the millions who died and the hundreds of thousands who managed to survive had actually experienced.
As the world continues to confront the ongoing reality of genocide and ponder the fate of those who survive it, this trial of the century, which has become a touchstone for judicial proceedings throughout the world, offers a legal, moral, and political framework for coming to terms with unfathomable evil. Lipstadt infuses a gripping narrative with historical perspective and contemporary urgency.
Avivah Gottlieb Zornberg informs her literary analysis of the biblical text with concepts drawn from Freud, Winnicott, Laplanche, and other psychoanalytic thinkers to make a powerful argument for the idea that the creators of the midrashic commentary, the medieval rabbinic commentators, and the Hassidic commentators were themselves on some level aware of the complex interplay between conscious and unconscious levels of experience and used this knowledge in their interpretations.
In her analysis of the stories of Adam and Eve, Noah, Jonah, Abraham, Rebecca, Isaac, Joseph and his brothers, Ruth, and Esther, Zornberg offers fascinating insights into the interaction between consciousness and unconsciousness as she enhances our appreciation of the Bible as the foundational text in our quest to understand what it means to be human.