Reading Group Center


By Ian McEwan

The introduction, discussion questions, and suggested further reading that follow are designed to enhance your group’s discussion of Solar, the new novel by Ian McEwan, Booker Prize winner and bestselling author of Amsterdam and Atonement.

1. Beard loves physics in part because he believes that it is “free of human taint” (p. 10). In what ways does the novel complicate this belief? In what sense is Beard’s own work “tainted” by human entanglements?

2. The narrative structure of Solar is mostly chronological. What effects does McEwan achieve by occasionally departing from a straightforward chronological progression?

3. Beard claims he does not believe in the possibility of “profound inner change” (p. 77). Does he remain unchanged over the course of the novel?

4. How does McEwan manage to make Beard such a sympathetic character despite his many foibles? What are his most salient character flaws?

5. Why is Beard so attached to preserving what he calls his “unshareable core”? (p. 307). Why does he find it impossible to tell Melissa that he loves her? Why do his marriages keep falling apart?

6. In what ways is Solar a satirical novel? What are its main satirical targets? How, for example, do postmodernists come off in the book?

7. What are some of the funniest moments in Solar? How does McEwan create such brilliant comedic effects?

8. Look at the encounters between art and science in the novel, those occasions when Beard squares off with people from the humanities—novelists, folklorists, postmodern feminists, etc. Who gets the better of these confrontations? Is the book as a whole making a point through its depiction of these encounters?

9. What is the significance of the entropy in the boot room on board the ship that is holding the conference on climate change? What does this chaos and carelessness suggest about humanity’s ability to stop global warming?

10. Beard has a remarkably clear conscience; he is largely untroubled by his affairs and deceits, his theft of Aldous’s ideas, his framing of Tarpin, etc. Why is he so free of the guilt that might afflict most other men?

11. Several times during the course of the novel it appears that public infamy—born of journalists’ insatiable desire for controversy and Beard’s own willingness to step into it—will doom Beard’s career. What enables him to emerge from these disasters relatively unscathed? Will he be as lucky getting out of the mess he’s created at the very end of the book?

12. How surprising is the ending of the novel, particularly the final sentence? What is the swelling sensation that Beard feels in his heart as his daughter approaches him? What is likely to happen to Beard next?

13. How does the appendix containing the presentation speech for Beard’s Nobel Prize alter the way Beard is finally viewed? Why would McEwan choose to attach this appendix to the body of the novel?

14. Solar is in many ways a picaresque and at times farcical novel, and yet it also engages a theme of major importance—global warming. What is the connection between personal and planetary catastrophe in the novel, between the meltdown of Beard’s personal and professional life and the kind of greed, dishonesty, rationalization, and failure to face facts that has resulted in the climate crisis? What is the significance, in this context, of Beard’s inability to moderate his eating habits and his sexual pursuits?

15. What does Solar contribute to our understanding of climate change?

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