Hand-Drying in America by Ben Katchor
Buy the Book: Amazon | Barnes & Noble | Books-A-Million | Indiebound | Powell’s
“Sublimely caustic…brilliant, darkly magical new collection.”—Publishers Weekly
WITH BEAUTIFUL FULL-COLOR ILLUSTRATIONS THROUGHOUT
Ben Katchor, a master at twisting mundane commodities into surreal objects of social significance, now takes on the many ways our property influences and reflects cultural values. Here are window-ledge pillows designed expressly for people-watching and a forest of artificial trees for sufferers of hay fever. The Brotherhood of Immaculate Consumption deals with the matter of products that outlive their owners; a school of dance is based upon the choreographic motion of paying with cash; high-visibility construction vests are marketed to lonely people as a method of getting noticed. With cutting wit Katchor reveals a world similar to our own—lives are defined by possessions, consumerism is a kind of spirituality—but also slightly, fabulously askew. Frequently and brilliantly bizarre, and always mesmerizing, Hand-Drying in America ensures that you will never look at a building, a bar of soap, or an ATM the same way.
Praise for Hand-Drying in America:
“Gorgeous…Katchor’s judiciously sketchy drawings—half art brut, half blueprint—literate scripts, and comedic imagination make them the stuff of genius-level cartooning.”— Booklist, starred review
“Reminds me of all the reasons I fell in love with his work 20-odd years ago… at the heart of all his work is the same intention: to find, however odd or enigmatic, a moment of real connection in an increasingly surreal world.” — Los Angeles Times
“The zany world of an inventive and original mind who is endlessly fascinated by the great city where he lives.” — Metropolis Magazine
Ben Katchor is the author of The Cardboard Valise, The Jew of New York; Julius Knipl, Real Estate Photographer: The Beauty Supply District; and several works of musical theater with the composer Mark Mulcahy. He teaches at Parsons The New School for Design and has contributed to The New Yorker, The Forward, and Metropolis. The first cartoonist to receive a MacArthur Fellowship, he is the subject of the documentary The Pleasures of Urban Decay. He lives in New York.